



If you're a fan of Dead Can Dance then this is a must have album. For a start, MOST of the songs on this album including the fantastic opener 'Rakim' are only featured for live performance and are NOT renditions of previous studio recordings. However, there are a couple such as 'Yulunga (Sprirt Dance)', 'The Song of the Sibyl', 'Cantara' and 'The Wind that Shakes the Barley' which do more than justice to their studio counterparts, with both Brendan Perry and Lisa Gerrard living up to, if not surpassing their studio performances. They are one the best (if not the best) live groups i have listened to.
If you've never heard of Dead Can Dance or their music, then this is a great starting album (although to be honest all of their albums are fantastic!). This album along 'Aion' were the first two albums i heard, forever making me a fan of this amazing group.


This is a live album with a difference- much of it is new material. Of the older-tracks, 'Cantara' (from 'Within the Realm of a Dying Sun')and 'Song of the Sibyl' (from 'Aion')are perfect renditions. A live-album of previously released tracks would have made little sense!
The world-music elements of DCD are explored in the first four songs- opener 'Rakim' (nothing to do with Eric B., sadly!) presents a percussive-track with a Perry-vocal- towards its within, Gerrard's vocals come in and take-over. A fantastic interplay is evoked, leading to 'Persian Love Song'- an acapella performance by Gerrard (you can hear her drawing breath!). Her roots can be found in Turkish music, which this song references; it is also similar to a sample on David Sylvian's 'Maria'...'Desert Song', as 'Rakim', makes use of percussion and Gerrard's yang t'chin- the closest thing to this in rock-music is Jane's Addiction's 'Of Course'. 'Yulunga' is an archetypl world song, the vocals creating a trance- I guess it's the kind of song Madonna does Yoga too!
'Piece for Solo Flute'moves the set to an exploration of Irish music- Gerrard does 'The Wind That Shakes the Barley',while Perry does a brilliant-sinister 'I am Stretched On Your Grave'. Lyrically this is romantic-poetry, with a dash of Edgar Allen Poe's 'Annabel Lee'. The music feels classical and looms with portent and desperate yearning...The following medley of 'I Can See Now' & 'American Dreaming' showcase's a 12-string acoustic guitar solo-piece by Perry. Imagine Scott Walker unplugged and you're not far. The former is a conventional blues-style song, while the latter is an awesome ode to love- with some huge percussion and an 'Astral Weeks' feel...'Oman' forms a trilogy of earlier DCD-tracks, blending the gothic with eclectic sounds...Von Strassburg's 'Tristan' provides Gerrard with another solo-spot, which leads to 'Sanvean' (familiar from 'The Mirror Pool' released a few years later & an advert for a product that I can't recall)- which along with 'American Dreaming' provides reason enough to purchase this album...The encore/adieu is Perry's 'Don't Fade Away', another gorgeous acoustic song that sounds like Walker singing a Tim Buckley track from 'Happy/Sad'. The Perry tracks make me wonder why his solo album didn't blow my mind?...
This is a great performance, showcasing the myriad of sounds DCD explored; both this and 'A Passage in Time' would provide a perfect sample of their career (though you will probably want to buy the lot!). One word of warning, avoid the video of this concert. It is very boring to watch- they sit & stand & perform...And the interviews with Gerrard & Perry that form interludes with the tracks portray two people who may be great-artists but seem to be abscent of anything approaching a sense of humour!
An excellent live album.