Sylvia Scarlett [1935]
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Binding : VHS TapeEAN : 0044005531831Label : 4 Front VideoManufacturer : 4 Front VideoPublisher : 4 Front VideoRelease date : 1998-01-12Title : Sylvia Scarlett [1935]Actor : George Cukor|Katharine Hepburn|Cary Grant|Brian AherneAudience rating : Universal, suitable for allFormat : ArrayNumber of items : 1Original release date : 1935-01-01Running time : 86Studio : 4 Front VideoTheatrical releaseDate : 1936-01-03Number of discs : 1
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review by: Chicken Hat Theater Improv date: 2003-09-01 rating:
An earlier and underappreciated cross-dressing comedyFor a long time "Sylvia Scarlett" was considered a failure, and the big joke was that Katharine Hepburn looked better disguised as a boy in this 1936 film than she did as herself. But we are talking Hepburn starring oppostie Cary Grant, the same pair that made "Bringing Up Baby," "Holiday," and "The Philadelphia Story." We are also talking director George Cukor who directed the last two films on that list with this pair as well. Today the judgment is that "Sylvia Scarlett" is a film that was ahead of its time, which makes sense when you considered how long it took American to decide that Katharine Hepburn was the quintessential modern independent woman.
Henry Scarlett (Edmund Gwenn) commits a bit of larceny and is forced to flee France with his daughter Sylvia (Hepburn) masquerading as a boy. Along the way they meet up with Jimmy Monkley (Grant), a cockney ne'er-do-well. In London they start doing some creative swindling, hooking up with a Maudie Tilt (Dennie Moore), a daffy servant girl who becomes Henry's wife. Meanwhile, Slyvia becomes enamored with handsome young artist Michael Fane (Brian Aherne), who, of course, thinks she is a boy. But when Michael starts to fall for Lily (Natalie Paley), Sylvia has to become a woman again to get the man she loves (pretend for the sake of argument that she is going to end up with the guy who gets third billing in the movie).
"Sylvia Scarlett" is based on the 1918 Comptom MacKenzie novel "The Early Life and Adventures of Sylvia Scarlett," but this ends up being Cukor's film and a charming story about vagabond thieves. Hepburn's androgyny does not strike contemporary audiences as being all that odd while Grant is playing the character closest to his own younger days of any in his entire career and stealing all the scenes. Gwenn and Moore are delightful as the less than suitable parental figures for the gang. Certainly compared to other cross-dressing comedies that have been made over the years, "Sylvia Scarlett" actually ends up being relatively realistic. Note: Natalie Paley was actually a Russian princess, the daughter of the Russian Grand Duke Paul, who was an uncle of the late Czar Nicholas, which would make her a cousin of the tragic Anastasia).
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