Product description

The Birthday Party [1968]

Price: £6.97
RRP: £12.99 This item Delivered FREE in the UK with Super Saver Delivery
You save: £6.02 (46 %)
Availability: Usually dispatched within 24 hours
Average customer rating: 4.5

Binding : DVD
EAN : 5030697003683
Label : Fremantle Home Entertainment
Manufacturer : Fremantle Home Entertainment
Publisher : Fremantle Home Entertainment
Release date : 2001-07-02
Title : The Birthday Party [1968]
Actor : Array
Audience rating : Suitable for 15 years and over
Format : Array
Languages : Array
Number of items : 1
Original release date : 1968-01-01
Region code : 2
Running time : 119
Studio : Fremantle Home Entertainment
Theatrical releaseDate : 1968-12-09
Number of discs : 1

Editorial reviews

Amazon.co.uk Review
Harold Pinter's first full-length stage play, The Birthday Party, was 10 years old when William (The Exorcist) Friedkin directed it for the cinema in 1968. In some ways, it was already a period-piece by then, Pinter's use of a combination of silence and excruciatingly banal dialogue to generate precipitous dramatic tension having been absorbed by contemporary theatrical mythology long since. Are the sinister McCann and Goldberg real? Or do they exist only in Stan's head? At the end, we're none the wiser. But Friedkin's claustrophobic direction, with the tormented Stan as its focus, has taken us through a master study in understated horror. The handheld camera, so fashionable in modern television drama, has rarely been used to such hypnotic effect.

As Stan, Robert Shaw is mesmerising in his descent to animal-like submission. Sydney Tafler's Goldberg and Patrick Magee 's McCann make a truly terrifying double act. Cult television fans will appreciate an early appearance by Helen Fraser (these days best known as a sadistic prison warder in Bad Girls) as the easily seduced neighbour. Now that Friedkin's film is itself over 30 years old, the scent of mothballs ought to be even more pronounced. Its decrepit seaside boarding house setting and the drabness of the peripheral players are redolent of the distinctly non-swinging side of the 1960s in which it was made. But more than anything, The Birthday Party is about unspecified terror and the sort of inner demons that lurk in all of us.

On the DVD: Excellent sound quality helps to make this a compellingly theatrical experience: never has the noise of tearing newspaper been more menacing. And the picture quality retains the grainy authenticity of the original print. Special features include brief backgrounders on the history of the play and Friedkin's career, and a slide show of still s from key scenes. --Piers Ford

Special Features
4:3 Full Frame
English
Region 2
Dolby Digital Mono English
Dolby Digital Mono
Scene Selection
Production Notes
William Friedkin Biography And Quotes
Slideshow

Synopsis
A deft psychological comedy about a reclusive man in a shabby seaside boarding house who is terrorized by two sinister visitors. Based on the critically-acclaimed play by Harold Pinter.

Customer reviews

review by: date: 2007-08-02 rating:

Quintessential Pinter on Celluloid (and dvd)
Here I get to make amends for a damming review I gave of another of this director's films. I take nothing back from that one, I hate the film that made him famous, (The Exorcist) it was pure self indulgent opportunism with not a care in the world for artistic integrity. There I go again, well someone surely has to! Back to a much better film then, a tricky thing for any director to attempt, an adaption of a theatre piece. They are notorious for not transferring well to the big screen, so lets see how he did:

Actually, very, very well. He keeps it tight, keeps the focus mainly on Webber, and actually does a fair bit of directing. (The reasons why a stage play doesn't work as a film are very often to do with under direction. You can't just let the thing run as it would on stage) Camera work is the key to success here, and Friedkin gets it to zoom in and out from Webber, pan all around him, feign leaving him and then come back, so that the result is what Pinter the playwright wanted, a complete obsessional stalking of Webber's character. The whole piece centres around Webber's breakdown, and so the lead up to it must be intensely noticable.

Very well cast and very well acted. These actors know their Pinter. They are faithful to the obliquness of the play, the abstractness, giving performances with plenty of ambiguity. The nihilistic angst or whatever it is fuelling this modern abstract piece is very tangible. Solid version this, very good indeed, the best thing about it is, it was attempted: This is Pinter's masterwork, after all, and not to have a film version of it would not have been right.

review by: date: 2003-11-12 rating:

Pinter on Screen
The Birthday Party on DVD may not be an actual theatre going experience but it does come pretty close to experiencing the excruciating pyschological intensity of this play by Harold Pinter. Stage sets, camera close-ups and top acting by, amongst others, Robert Shaw as lodger Stanley, produce an atmosphere of heightened domestic banality and humour. The constant dialectic between humour and psychological pain that pervades this play is well balanced, none of this is overdone or over-emphasised thus giving time and space to characters and allowing the viewer to really think about them and why they behave the way they do. The viewer becomes involved in a theatre play on screen as opposed to watching yet another poor attempt to turn a play into a film. As a theatre goer I had my doubts about watching this play on screen but was impressed by the ability of the actors and the production/direction to convey the obvious tension amidst the apparent 'normality' of Meg's boarding house. Pinter's screenplay is no doubt a huge bonus to this production but this is equally true of the actors. Dandy Nicols as Meg is wonderful also.
The only 'complaint', if it can be called that, is the dialogue volume which is a little low but this is more than made up for by the play/film as a whole and Macann's newspaper tearing can be felt as well as heard at a volume that more than does justice to this somewhat bizarre habit of his. It just means you have to turn your volume up a little. Although made in 1968, I doubt the transition from stage to screen of this great play could ever be done better without losing the down to earth feel of this production. Excellent!

Similar products

The Homecoming [1973]
The Caretaker [1963]
Look Back In Anger [1989]
Rhinoceros [1974]
Butley [1976]

Similar categories