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El Mar [2000] [DVD]

   


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Average customer rating: 4.0

Binding : DVD
EAN : 5060018650173
Label : Peccadillo Pictures
Manufacturer : Peccadillo Pictures
Publisher : Peccadillo Pictures
Release date : 2003-07-14
Title : El Mar [2000] [DVD]
Actor : Roger Casamajor; Bruno Bergonzini; Antònia Torrens; Hernán González; Juli Mira; Simón Andreu; Ángela Molina; David Lozano; Nilo Mur; Tony Miquel Vanrell; Victoria Verger; Sergi Moreno; Lorenzo Santamaría; Maria del Mar Bonet; Blai Llopis
Audience rating : Suitable for 18 years and over
Format : Array
Languages : Array
Number of items : 1
Original release date : 2000-01-01
Region code : 0
Running time : 107
Studio : Peccadillo Pictures
Theatrical releaseDate : 2000-07-26
Number of discs : 1





Customer reviews

review by: date: 2008-07-14 rating: 5
Unmissable
First of all I'd like to present my excuses for my poor English. I'll do my best. br /This film "El mar"("The sea")was produced in 2000 and it was not much successful here in Spain maybe because of its hard images and very "art house" nature. Despite the fact that it was released on VHS video some years ago, it hasn't been released on DVD in Spain yet. To my surprise I found it here in Amazon and I ordered it inmediately. But the biggest surprise was to see that the DVD producers had chosen the ORIGINAL Catalan soundtrack and not the Spanish version released in the rest of Spain outside Catalonia. I was sure that this would have been the chosen one as on the DVD is quoted as "Spanish". This film is set in 1930's Mallorca, and as you may know at the time Catalan was the usual language there. The film itself was a Catalan production, so it's normal that the original version here is the Catalan and not the Spanish dubbed one. That's why the director is named Agustí Villaronga and not "Agustín" which is the Spanish translation for Agustí. Ángela Molina for exemple plays a Spanish character on the film and therefore she speaks Spanish, but the rest speak in Mallorca's Catalan, slightly different to the one we speak here in Catalonia. So, I was very happy to listen to the original language on this edition. br /I was really impressed by the film, certainly not for everyone, but a very interesting and artistic one. It's a dark story about violence, religion and gay love in post-war Mallorca. Absolutely white and red. I remember some people walking out of the theatre as they couldn't resist the violence shown in the images, but I guess this was absolutely understandable if you see it as the war effects on some teenagers and the way this changed their lives. The actors give all the tension the story needs and show all the hidden passion required. White and red again. Certainly one of the most compelling films made in Spain in recent times. br /Highly recommended. br /


review by: date: 2002-01-18 rating: 3
Worth a look, but not Villaronga's best
THE SEA (El Mar, 1999) br / br /Aspect ratio: 1.85:1 br /DVD soundtrack: Dolby 2.0 stereo br /Theatrical soundtrack: Dolby Stereo SR br / br /Agustin Villaronga's sexual psychodrama is based on an autobiographical work by Blai Bonet (1926-1997), a Catalan poet, novelist and art critic whose career was shaped in part by religion and illness, most especially the battle with tuberculosis which marred his early life. Villaronga's adaptation is set in 1946 and attends the fortunes of three old friends - two men and a woman - whose lives have been deeply affected by a vicious crime they witnessed in childhood. Reunited in a remote TB sanatorium, the wild and reckless Ramallo (Roger Casamajor) discovers that fellow patient Tur (Bruno Bergonzini) has retreated into the Christian faith, whilst Francisca (Antonia Torrens) has become a nun, ministering to the sick and dying. Subsequently, both Tur and Francisca become sexually attracted to Ramallo, generating conflict with their religious beliefs and culminating in a sudden eruption of horrific violence. br / br /In a brief statement written exclusively for this DVD, Villaronga - who made an unforgettable impact with his debut IN A GLASS CAGE (1986), a masterpiece of psychological horror often cited (correctly) as one of the most disturbing films ever made - describes THE SEA as "one of [his] most secret and treasured projects for more than 20 years", inspired by personal recollections of childhood spent in his homeland Mallorca. However, the eventful narrative is also slow and ponderous, and imbued with a tangible sense of pain and raw emotion. The sanatorium is a desolate place where society's outcasts mark time as their condition either improves or deteriorates, and where terminally-ill patients are wheeled away in the dead of night to suffer their final hideous agonies behind closed doors, surrounded by the trappings of an absent God. The script - co-written by Villaronga, Antoni Aloy and Biel Mesquida - deliberately foregrounds spiritual matters, only to savage them with merciless abandon, describing characters whose lives are constrained and diminished by strict adherence to their religious convictions, while the slow-burning sexual tension that simultaneously divides and binds the central protagonists convey a very real sense of imminent tragedy. br / br /The three leads - macho Casamajor, sensitive Bergonzini and pious Torrens - make their feature debut here, and they all give performances of astonishing depth and complexity, while supporting players include Simon Andreu (a veteran leading man who's worked all over Europe since the 1960's, though mostly in Spain) and Angela Molina, an accomplished Spanish actress, seen recently in LIVE FLESH (1997). The film's stately pace and magisterial gloom is due principally to the combined talents of cinematographer Jaume Peracaula and art director Francesc Candini (both of whom have worked with Villaronga before), while editor Raul Roman builds the narrative to an emotional crescendo, underlined by a driving, elegiac music score by Javier Navarrete, another frequent Villaronga collaborator who performed similar duties on Guillermo del Toro's highly-acclaimed THE DEVIL'S BACKBONE (2001). Ultimately, however, the movie is an acquired taste: Villaronga doesn't shy away from male nudity, gay sex and sudden outbursts of bloody violence, but his solemn, 'art-house' approach to the material precludes any suggestion of exploitation. As such, some will embrace the film's sophisticated Gothic ambitions, while others will reject its cold austerity. br / br /NB. The director is credited on-screen under the slightly abbreviated spelling 'Agusti' Villaronga.



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