More Specials
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Binding : Audio CDEAN : 0724353769901Label : Two ToneManufacturer : Two TonePublisher : Two ToneRelease date : 2002-03-25Title : More SpecialsFormat : ArrayStudio : Two ToneMPN : 37699Number of discs : 1
Editorial reviews
Description'More Specials' is avaialable on CD for the first time since its deletion in 1992. The Midlands-based ska act fronted by Terry Hall had two top ten hits from this album in 1980, 'Stereotype/International Jet Set' and 'Do Nothing'. This enhanced version includes the video to their second no.1 single, 'Ghost Town'.
Customer reviews
review by: date: 2008-05-29 rating:
Missing SongsGreat Album But Where's Rude Boys Outta(Version) Jail And Braggin' And Trying Not To Lie? Two Great Songs Missing From One Great Album, Worth Looking Elsewhere With Whole Album Intact In My Opinion.
review by: date: 2008-05-01 rating:
Exactly What it Says on the TinThe difficulty of producing a perfect debut album is how can you follow it. The Specials debut album and live sound with its up-date of Ska had not only been a huge success in it's own right but had started a movement with bands such as Madness, The Beat and Bad Manners becoming over night successes but kick started the careers, long over, of the stars of sixties Ska. Conscious not to repeat them selves unofficial group leader, Jerry Dammers, and soundman, the late Dave Jordan set about the impossible.
Opener is the standard `Enjoy Yourself' and although Ska legend Prince Buster played this song The Specials go for a orthodox rock-pop arrangement to open the album in urgent party style. `Man at C & A' is the Terry Hall's perfect state on the Nation address in a punk ska hybrid which flows perfectly into Roddy Radiation's rockabilly masterpiece `Hey, Little Rich Girl'. Ska pleasers `Do Nothing' (later to be the albums hit single) and the perfect `Pearl's Cafe' take us back to the classic Specials sound before the Northern Soul anthem `Sock it to `em JB' ends side one leaving us in wonder that a Ska band could play Northern Soul this well.
Side two opens with the taster single, cocktail jazz dub reggae `Stereotypes' with its two piece constructions gives us a Neville Staples toast which is perhaps a little too long. Calypso instrumental `Holiday Fortnight' is a lot better than it has any right to be and acts as the perfect bridge to Hall and ex-Bodysnatchers Rhoda Dakar's duet anti-love song `I Can't Stand it'. Parody of `Going to Barbados' `International Jet Set' is the perfect embodiment of the new Specials sound with it's muzzack influence coming to the fore. This is etherised with the perfect closer a Bontemps organ driven reprise of `Enjoy Yourself' which always leaves me wanting to play the whole thing over again.
And so now we know how to follow a perfect debut album, you make a perfect follow up album.
review by: Addict date: 2006-09-02 rating:
Sounds even better now than when I was 15!I was a bit of a rude boy, back in 1980. I have fond memories of strutting around North London in my Harrington jacket, Fred Perry shirt, white socks, braces and tassled loafers. I wasn't a skinhead then but I am now! When CDs came out, I stupidly gave away all my vinyl to charity shops, including More Specials.
Making a welcome return to my music collection, More Specials is such an overlooked gem. I notice it did make it into "1001 Albums You Must Hear Before You Die" but you are unlikely to find it in a top 50 or 100 list.
It's difficult to put into words why this album is such a treat. It's somehow timeless, borrowing from the '60s and '70s, rooted in the '80s but not out of place in the '90s and '00s. In fact, it doesn't sound at all dated. I recommend playing along side the likes of Massive Attack, Gorillaz and Lilly Allen, all clearly inspired and influenced by The Specials.
Finally, a word to the wise. Check the small print on the back of the CD and buy the enhanced CD which includes original videos of Ghost Town and Rat Race - two very special singles.
review by: date: 2004-06-28 rating:
The most influential album of the last 25 years??OK, maybe that was a bit strong but this really is a CLASSIC!!! Like the previous reviewer said you really can trace a line from this group (and especially this album) to groups as diverse as Happy Mondays/Black Grape, Tricky, Massive Attack, The Streets, Plan B & Lily Allen.
The Specials were one of the biggest groups in the country when they released this and it was always seen as a bit of a letdown by the hardcode skinhead/rude boy fanbase compared to their debut. But, to those that love groups that mess with the formula it has become seen as a work of near genius.
Can you imagine the careerists of today like the Kooks or Razorlight doing an album of Bulgarian Folk Music or ambient house? Of course you can't, they are too worried about shifting units and marketing to risk real experimentation with the music. The Specials made an album featuring muzak, the sort of stuff you hear in hotel lifts and supermarkets and mixed it with lyrics about alienation, the futility of the saturday night beer boy life & paranoia about impending nuclear war and you could still dance to it!
If you haven't got this album - get it now! I bought it in 1981 aged 9 and I still love it to this day. The only slight grumble is that there are no extras. It must surely be worth the deluxe treatment including 'Bragging not trying to lie' & 'Rude boys outta Jail (version)' - the free seven inch that came with copies of the album back in the dim & distant. There is also some great B sides from that time and amazing live tracks (the Specials were the greatest live band ever - fact!!).
So, buy this and Enjoy yourself (it's later than you think).
review by: date: 2004-02-06 rating:
A hell of an eraWhen I first heard the more specials album it completely blew me away I recall finishing work and going home to lie on my bed and play this album I learnt every track word for word and can still hear my mum shouting at me to turn it down.There was nothing better on a friday night but to listen to this whilst cleaning my loafers and pressing my levis and Ben sherman ready for a nite on the tiles at the local townhall.
The track that I love the most has to be stereotype because it summed up the youth culture at that time what a pity the new romantic era soon followed and men deciced that this kind of 'fashion'should be replaced with frilly shirts and makeup!
I still have all of the specials(and special aka)original singles and albums but have replaced them on cd so as not to overplay them.
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