Von

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Customer reviews

review by: date: 2008-02-02 rating:
Reminiscent of Sid Barrett
If someone had told me this album were some lost Sid Barrett Pink Floyd tapes from 1970 I would have believed them. One can instantly hear after this album the vast difference the arrival of Kjartan Sveinsson and his musical training contributed to the orchestral and string arrangements of their subsequent work.
I akin Von to Floyd's pre Dark Side material and for a collecter it's still a worthy purchase in following the history of Sigur Ros.

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review by: dougfuters date: 2007-11-14 rating:
Much better than the other reviews might appear
Just bought this after having had the other three albums for a number of years, and I have to say it's my favourite. Strongly reminiscent of Hawkwind & early Pink Floyd, especially Saucer Full of Secrets

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review by: ogwhite date: 2007-07-11 rating:
Raw sigur ros
I may be sticking my neck out here but this is my favourite Sigur Ros album. The songs on the album are all good and the ambient filler tracks are all perfectly decent (i like my ambient music you see). In fact a couple of the songs on the album are really really good, stayers on my mp3 player. I would say the key word is raw. And I like raw too. I can see though that if tak is more your sort of thing then von may not be quite what you would hope for - as the general sound does seem quite different. That'd be why there are a few low scores above.

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review by: genejezkova date: 2006-11-02 rating:
A Not-So-Alright Start ...
Before Sigur Rós became the alternative music darlings of the new millennium with their justly revered breakout album, Ágætis byrjun, their local reputation in Iceland was primarily presented in the form of this, their debut album Von, pressed and released under the Bad Taste label formed in the `80s by some of Iceland's more prolific punk music tearaways. The album's reputation amongst fans and the band themselves has since become a dubious one, what with the band's line-up having changed significantly since (Ágætis saw Kjartan Sveinsson enter the fray on keyboards and Orri Pall Dyarsson replacing original drummer Agust after it's release) and the band going on record with saying how disappointed they were with the end result in interviews. Further evidence of the band's efforts to forget Von can be surmised by the title of their second album, which translates as "an alright start". And whilst Von isn't a criminally ignored gem (for the most part, the band's reservations frequently ring true), there are still shafts of light present that suggest that this beleaguered four-piece at the very least had some potential in their midst.

The most striking sentiment that can be afforded to Von (that's "Hope" for us Englanders) is how much it distances itself in mood and production from the rest of Sigur Rós's future catalogue. In essence, it could play much better as a soundtrack to a lost zombie apocalypse film circa Romero or Argento, all discordant ambient noise peppered with a couple of recognisably dated goth-pop songs. The band's eponymous track comes as a shock first of all with its starting quietly with sweet percussion before descending into unpleasant screaming, an overtly sinister piece one wouldn't think of emerging from a band whose music has since become so beatifically poignant. The instrumental pieces tend to meander without much direction or force, unlike the arrangements to come in (), and the songs appear rigidly confined to their structures rather unlike the thinking aloud found in Ágætis and Takk.... Also, it's all being produced and mixed by the band in its infancy means there is a lot of room for improvement; vocals are often distant leaving the melodies hard to make out and artistic license is stretched to breaking point on a handful of tracks (key offenders being "18 Sekúndur Fyrir Sólarupprás" and the opening six minutes of "Rukrym").

That being said, whilst it never comes close to anything as beautiful the band have written since, the foundation blocks of what was to inform their later work are clearly in evidence. Their use of choirs here can be seen as a precursor for how frontman Jonsi would later use his elfin trill, which makes their work sound more organic than a simple melody with a backing arrangement, exemplified by the haunting opening of "Dögun" and the album's most conventional song, "Hún Jorð". The band's obsession with musical reversals and palindromes also finds room on the LP, the most obvious example being "Mykrur's" reversal into "Rukrym". If someone were to listen to this album without any prior knowledge of Sigur Rós and their music since, they would be distinctly unimpressed save for a couple of tracks if they were being kind (title track "Von" actually sounds like a good song even with its dodgy production). However, for the Sigur Rós fan listening with hindsight, one can admire the CD as a band trying to find their sound safe in the knowledge that they will finally get there. For completists and the easily sympathetic only.


review by: date: 2006-08-06 rating:
really not that bad
i was very nervous about buying this album after reading the other reviews on this page, but after finding the courage to go and buy this album, i was pleasantly surprised at how good it is. it is not good value for money, because only 5 of the tracks could be described as songs, the rest of it is ambient mood setting noise. but the 5 songs (hun jord, myrkur, hafsol, von and sindir guds) are all excellent songs. also this album is hugely interesting to any Sigur Ros fan, in finding out how their beautiful music was born.

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