My Own Private Idaho
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Binding : DVDEAN : 5017239192982Label : Entertainment in VideoManufacturer : Entertainment in VideoPublisher : Entertainment in VideoRelease date : 2005-06-27Title : My Own Private IdahoActor : ArrayAudience rating : Suitable for 15 years and overFormat : ArrayLanguages : ArrayNumber of items : 2Region code : 2Running time : 100Studio : Entertainment in VideoTheatrical releaseDate : 1991
Editorial reviews
Amazon.co.uk ReviewMapping the spaces between fortune and degeneracy, Shakespeare and street cant, Europe and the Pacific Northwest, and gay and straight,
My Own Private Idaho is the 1991 masterpiece by director Gus Van Sant. River Phoenix gave the most generous and memory-searing performance of his tragically shortened career as Mike Waters, a narcoleptic street hustler in search of his mother. His best friend, Scott, played by Keanu Reeves, is a son of privilege who fosters plans of rejoining the moneyed world of his father after gallivanting with assorted urchins and ne'er-do-wells. The beautifully symmetrical story that emerges between the two is one of friendship, yearning for lost time, and sexual identity conveyed with a poet's eye for landscape. The camera lingers on abandoned houses in golden fields and time-lapse clouds, providing what T.S. Eliot called "the objective correlative"--external representations of interior emotional states. We're treated to striking iconic sequences like a barn falling from the sky and still-life scenes of carnal entanglement. The supporting cast is a rogues' gallery that includes Flea of the Red Hot Chili Peppers, Udo Kier, director William Richert, and a variety of "nonactors" pulled literally off the street to provide documentary veracity to a film that gleefully careens into riffs on Henry IV. It's beautiful.
What's also beautiful is the Criterion Collection's treatment of the film's DVD debut. The director-approved transfer successfully conveys the warmth of the film's palette of oranges and browns, and preserves the whimsical atmospherics of the yodeling country music soundtrack. Many members of the original crew contribute their fond memories to the documentary features, which include a conversation between Phoenix's sister Rain and producer Laurie Parker. There are also two lengthy audio-only conversations--one between Van Sant and Velvet Goldmine director Todd Haynes, and another between author J.T. Leroy and filmmaker Jonathan Caouette about their experiences on the street. The deleted scenes mostly suggest alternate endings that Van Sant wisely left on the cutting room floor. A superb example of a beloved film on DVD. --Ryan Boudinot, Amazon.com
Customer reviews
review by: date: 2008-10-12 rating:
A true masterpieceRiver Phoenix plays narcoleptic hustler Mike Waters, who unlike those around him, has a dependent personality and is psychologically unable to move on in his life in any way. The movie shows Mike looking for a home, and fruitlessly trying to trace his mother so that he can re-capture the safety of his childhood. Thrown into the mix are Shakespearian elements, with dialogue loosly based on Henry IV parts 1&2, with Keanu's Scott (Hal) slumming it with William Richert's Falstaffian Bob. There is no answer to Mike's problems ("this road never ends"), he's simply not able to adapt to adult life and take responsibility for himself. It's not his fault; he just has something missing. Deleted scenes show by contrast other male prostitutes getting jobs and moving on. Udo Kier is hysterical as Mike and Scott's client Hans. An true masterpiece.
review by: date: 2008-07-24 rating:
A surreal character studyThis film is a surreal character study, following the misfit lives of a small group of 20 something rent boys. It's a strange sort of film. I have never seen anything else quite like this. The best way to give you a better impression of what I mean is to say that it shares some parallels with Oliver Twist, if the Oliver character was older and gay, if his workhouse was really a brothel where he squatted illegally and where Fabien is really his pimp.
I first saw this film when I was far too young to understand what any of it was about. But, somehow, it made a big impression on me. So, I looked this film up not so long ago to check it out and to see if it left me with the same feelings as it did before.
I found it kind of sad, it's strange, because I find it heart warming and yet some how heart breaking. Sweet yet bitter!
We see the late River Phoenix playing the Oliver typed role, led by his very own Artful Dodger in the form of a young Keanu Reeves.
I was originally touched by the close friendship that they seemed to share. It seemed one of a real love that transcends sexual attraction.
There is some one-sided attraction going on in there; which the other is well aware of and doesn't mind, and I think that's what originally touched me. The concept of a straight guy being friends with a gay guy that is in love with him and it being a non-issue: A true friendship.
Watching this film again however I have a completely different take on it.
Now, it looks to me as if the whole friendship was just as one sided as the sexual attraction and that makes this film even more sad for me.
The only real plot is that one character is in search for his mother while the other tags along to hide from his father.
Even though this film is not for most people I still think that it is well worth a look. It has a bit of every movie genre in there: Road Trip, Coming Out, Coming of Age, Living happily ever after, and those ones that don't really end; the ones where you're faced with the cruel fact of life where not every story has a happy ending.
review by: Anna date: 2008-07-06 rating:
overhypedhaving recently seen elephant, my first film by Gus Van Sant, I wasn't sure what to expect of My Own Private Idaho as I had found elephant very tedious to watch.
I must say though, that I was pleasantly surprised with MOPI. I think the only downside is that people really seem to hype this movie up to more than it is, In my opinion I think it is just a very nice simple film (not simple in a bad way).
I was eager to watch this as I'm a huge River fan, and I would definitely recommend this to any River fan as it was a very fine performance on his part.
review by: fiftyfirstfloorfilms date: 2006-07-13 rating:
Not one you'll be sitting on the fence over!Definitely one of those films you either love or hate; it's a surrealist and uncomfortably explicit road movie about rent boys who have Shakespearean pretensions! Those who like their films straight (in both senses of the word) will probably hate every minute, but saying that it does share a sense of humour with "Withnail and I" and that's loved by pretty much everyone, so who knows. The locations and photography are beautiful, music brilliant, characters larger than life and the script (based on Henry IV) full of wit and tragedy. However, one thing outshines the film itself and stays with you long after the final credits...River Phoenix. He died three years later and so, like James Dean (who he resembles here), is frozen forever in full narcoleptic, übercool glory. It's Phoenix's film and he is absolutely superb and should have been considered for an Oscar - in that same year Warren Beatty was nominated for Bugsy. Tragic.
review by: jobba date: 2006-06-26 rating:
rubbishI read a number of the positive reviews on this film and was expecting something special. What a disappointment.
I found this film slow, dull and tedious.
suggestions that this should be THE one dvd in your collection, or a must to be shown in schools etc are beyond me....
I think this film suffers due to the amount of hype around it and river phoenix's performance. I really wasn't impressed with either.
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