Alchemy: An Index of Possibilities

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Customer reviews

review by: date: 2006-09-22 rating:
Inspirational, evocative, meditative
How do you classify or put into words music that you can connect to physically and mentally rather than just audibly.Like nothing else I have heard, this album literally takes you to higher state of consciousness, relaxation and wellbeing, keeping you completely engaged and enthralled whilst leading you on a spiritual journey, or more, a path of self discovery! I bought the cassette tape in 1985 and after finally getting hold of the CD 20 years later I realised that this album is not just a part of my collection but more a part of me. I cannot rate this album highly enough. If you have ever truly 'contemplated' anything in life then this music is for you.

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review by: We're all Frankies' date: 2006-05-28 rating:
1985's directions in music...
This reissue of 'Alchemy: An Index of Possibilities' is a thoughtful one- comprising the original 1985 tape-only release that saw tracks 'Preperation for a Journey' 'Steel Cathedrals' released alongside the 'Words with the Shaman' e.p. with the hard to find b-sides to 1989's 'Pop Song' single (found on the deleted 'Weatherbox' set). Much of the work here appeared in some form on the 'Camphor' compilation a few years ago... br / br /As a collection of Sylvian's instrumental work, it blends together very well- though anyone who didn't enjoy his other instrumental work (the Czukay albums 'FluxMutability'/'PlightPremonition', the last sides of 'Gone to Earth') may not be that enamoured. br / br /The three-part 'Words With the Shaman'-suite is particularly wonderful- 'Part1: Ancient Evening', 'Part 2: Incantation' 'Part 3: Awakening (Songs from the Tree Tops)' find Sylvian and brother Jansen advancing on the 'Brilliant Trees' collaboration with Holger Czuckay ('Full Circle' with Liebzeit Wobble) and Jon Hassell ('Power Spot'). If played directly after listening to Hassell/Sylvian's co-written song 'Brilliant Trees', it makes complete sense. 'Words with the Shaman' is as strong as Eno/Byrne's 'My Life in the Bush of Ghosts' or Philip Glass' 'Powaqqatsi'. 'Preparation for a Journey' 'Steel Cathedrals' extend on this, but have been seen by many people as I know as extremly indulgent- personally I think they've dated well and are in need of reassessment. These tracks aren't that far from Penguin Cafe Orchestra or Peter Gabriel's artier work (e.g the 'Birdy' soundtrack) and can be seen to extend on the territory started with tracks like 'A Foreign Place' and 'Canton.' It's nice to hear a blend of ambient, world music and jazz coming together- could this be a post-Eno 'Filles De Kilimanjaro'? br / br /'Pop Song' eventually turned up on 2000's compilation 'EverythingNothing'- its b-sides were harder to find; it seems apt that they are added to this set (perhaps Flux and Plight ought to be reissued as a double-set?). These tracks were a lot more influenced by John Cage- 'A Brief Conversation in Divorce' reminding you of Cage's 'SonatasInterludes', as well as 1981's 'Ghosts'. One of Sylvian's most interesting instrumentals and well worth hearing, if you enjoy avant-garde classical (John Taylor's piano is another highlight). 'The Stigma of Childhood (Kin)' finds Sylvian alone, perhaps alluding (in wordless form) to events dealt with on the recent Blemish (2003) album? It has a similar feel musically to 'Blemish'... This track is probably more Philip Glass/Steve Reich- an interesting direction...I'd love to hear a soundtrack to a film in this mode (perhaps someone should ask Sylvian?). The almost blues guitar is interesting- the missing link between Ry Cooder and the Americana that Sylvian began to explore with 'Every Colour You Are' and 'Blackwater'. These tracks are excellent bonus tracks and make this collection an interesting one- though granted the ambient side of Sylvian doesn't appeal to all. Most definitely worth exploring, if you have an open mind (an index of possibilities, after all...). This set also shows, as an album like 'Laughing Stock', the difference between a pop star and an artist. Wasn't it great in the 80s when people like Hollis and Sylvian decided that pop wasn't enough and opted for avant-garde climes? This is why 'Kid A' isn't that out there...Regardless, the 'Alchemy'-reissue is one of interest and an unacknowledged highlight of Sylvian's 80s oeuvre. br / br /

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review by: date: 2004-01-07 rating:
Inner World Music
A head spinning drift through the gamelan jungle. Very cinematic, smoky and evocative (as all of Sylvian's work is). Not for casual listeners, but of a quality that puts it way above nearly all other so called ambient productions.pHighly recommended if you fancy a bit of armchair travel.

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review by: blatnoi1 date: 2003-11-04 rating:
At long last
Having brought this way back in 1985 - on EP - and although i have the title tracks on the import of Brilliant Trees and most of the other tracks on various formats - Video - Cd - Lp - it was a wonderful feeling to have for once all the tracks on one format - well done to who ever thought of this at EMI - you do deserve a pay risepwhat can you really say about David Sylvians work ?pIts just brilliant - and the track selection for this (shall we call it an album) is great pI challenge anyone to get hold of a copy of 'Steel Cathedrals' on any format - apart from this album - you just can't - i only have it on Video, enough said - this is timeless music - it sounds as good today 04.11.03 as it did way back in 1985pTreat your ears and BUY THIS ITEM


review by: We're all Frankies' date: 2003-07-25 rating:
Interesting collection of instrumentals.
This reissue of Alchemy is a thoughtful one- comprising the original 1985 tape-only release that saw tracks Preperation for a Journey Steel Cathedrals released alongside the Words with the Shaman ep with the hard to find b-sides to 1989's Pop Song single (found on the deleted Weatherbox set). As a collection of Sylvian's instrumental work, it blends together very well- though anyone who didn't enjoy his other instrumental work (the Czuckay albums FluxMutability/PlightPremonition, the last sides of Gone to Earth) may not be that enamoured. pThe three-part Words With the Shaman-suite is particularly wonderful- Part1: Ancient Evening, Part 2: Incantation Part 3: Awakening (Songs from the Tree Tops) find Sylvian and brother Jansen advancing on the Brilliant Trees collaboration with Holger Czuckay and Jon Hassell. If played directly after listening to Hassell/Sylvian's co-written song Brilliant Trees, it makes complete sense. Words with the Shaman is as strong as Eno/Byrne's My Life in the Bush of Ghosts or Philip Glass' Powaqqatsi. Preperation for a Journey Steel Cathedrals extend on this, but have been seen by many people as I know as extremly indulgent- personally I think they've dated well and are in need of reassessment. It's nice to hear a blend of ambient, world music and jazz coming together- could this be a post-Eno Filles De Kilimanjaro? pPop Song eventually turned up on 2000's compilation EverythingNothing- it's b-sides were harder to find; it seems apt that they are added to this set (perhaps Flux and Plight ought to be reissued as a double-set?). These tracks were a lot more influenced by John Cage- A Brief Conversation in Divorce reminding you of Cage's SonatasInterludes, as well as 1981's Ghosts. One of Sylvian's most interesting instrumentals and well worth hearing, if you enjoy avant-garde classical (John Taylor's piano is another highlight). The Stigma of Childhood (Kin) finds Sylvian alone, perhaps alluding (in wordless form) to events dealt with on the recent Blemish (2003) album? This track is probably more Philip Glass/Steve Reich- an interesting direction...I'd love to hear a soundtrack to a film in this mode (perhaps someone should ask Sylvian?). The almost blues guitar is interesting- the missing link between Ry Cooder and the Americana that Sylvian began to explore with Every Colour You Are and Blackwater. These tracks are excellent bonus tracks and make this collection an interesting one- though granted the ambient side of Sylvian doesn't appeal to all. Most definitely worth exploring, if you have an open mind (an index of possibilities, after all...). This set also shows, as an album like Laughing Stock, the difference between a pop star and an artist. Wasn't it great in the 80s when people like Hollis and Sylvian decided that pop wasn't enough and opted for avant-garde climes? This is why Kid A isn't that out there...Regardless, the Alchemy-reissue is one of interest and an unacknowledged highlight of Sylvian's 80s oeuvre.

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